Frankfurt Musikmesse 2009

May
10
Posted by: lordriffenstein
Tags: , , , , ,
Categories: Guitar
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Well, meeting up with all those wonderfull people is always the highlight but I had some serious gear highlights as well this year.

Guitarwise, very little tickled my fancy. The big companies were totally MEH, the Fender Roadworn series were awefull, Gibson had guitars on display with serious bad frets and dry fretboards etc. PRS had some cool things but I’m SO over all those blingbling tops.

After playing both Tylers at the Engl Booth and them kicking the ESP GL sig in the nuts, it was hard to find other guitars that I liked. At Pedaler.eu I was able to play a Xotic strat which was really good, quality is definitely up there with the best, very vintage feel and tone.

At Mad Professor I was handed an awesome Ruokangas LP that felt and played amazing, great tones coming from the MP101 as well. I was seriously digging that LP. The discovery for me were the Trussart guitars. I played a Steeltop tele for a while, wooden body with a steel inlay, big neck, humbucker at the neck, bridge single coil. Even with the shitty JVM-combo, this guitar sounded amazing. The control layout was a bit different but the feel and tone were stellar.

I also tried a bunch of FX, most of them at the pedaler.eu booth. Cool guy, when i asked to test some stuff, he handed both me and Sabine a cool Carlsberg :-)

The Van-amps Sole-mate reverb sounded really good into the AC30. A real spring reverb in a pedal, very nice, add some analog delay from a Maxon pedal and you are good to go. Effectrode Tube-Vibe is definitely one of the 5 best vibes available, very thick and smooth sounding with enough clarity and a big movement in the vibe. Also worth mentioning were 2 newer Maxon ODs with a small tube build in. Both are in the TS-area but much more versatile and sounded great through the Vox.

Tried some of the Mad Professor pedals and loved them all hahaha, TCs Nova Drive was very nice sounding although that setup doesn’t tell you that much. You have to try them with an amp. I had a nice long chat with the guys from G-Lab, interesting ideas and some cool products. Their programmable/switchless wah sounded pretty cool, it has presets which can be selected by midi. Nice features were also to be found on their OD and delay pedal. Both were midi-switchable as well with more midi options. And they sounded very good.

Being an ampfreak, I concentrated more on amps and I heard and played some really good stuff. I liked the new Engl Fireball, bit less gain, lower mid voicing, good times. I kidnapped Bernie’s Tyler to try the Egnater Rebel30 and really liked it a lot. Very good clean channel and a thick and smooth OD channel, not everybodies cup of tea but I liked it. I also got to do a good test of the Diezel Schmidt (see below) thru the matching 2×12 with hempcone speakers. It was recorded and filmed for use on their website :-) I thought the amp was a bit bright in their test room but the recording proved me otherwise. From clean to classic rock, less tight then the usual Diezel stuff so way more up my alley. To bad the tele was a struggle to play and out of tune because the tones were good. Listening back, the strat tones sound pretty darn fantastic to me.

The 2 winners in the amp department for me were the Mad Professor MP101

and the TubeThomsen range. I plugged into the MP101 and must have played it for 30mins or more. Very responsive, wide range of tones from bell-like cleans to Dumble-style OD. There wasn’t a thing I did not love about it, well maybe the price Embarassed . Both the head and 5-watt combo from TubeThomsen sounded totally amazing. The head had pretty much everything you need: blackface clean, SRV-land edgy crunch, good rhythm crunch and fat lead, reverb onboard, loop…The sound was stellar anytime I heard that amp being played and even when I was playing it :-) The little combo packed some good punch, great clean tones and very sweet OD sounds.

So here I am wanking with a slight hangover through the Diezel Schmidt.  Great sounding amp for those wo do not need the brutalz from the other amps in the Diezel range.

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Metal Puppets!

May
31
Posted by: Bernd Hepberger
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Categories: Music
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I LOVE puppets and I LOVE metal. Now guess what I think about this one:

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Muse "Haarp" - Guitars for the 21th century.

May
30
Posted by: Bernd Hepberger
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Categories: Reviews
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Did you like Black Holes and Revelations, the latest studio record from British alternative-space-rockers Muse? Well, I really loved it and my girlfriend Kate liked it too. That means, I was able to hear it a lot (lately, I mostly listen to music in the car, so the records I hear must be “Kate-compatible”). As a long time Muse fan I also decided last year that it`s time to see the guys live, so I went to see them in Munich. It was a killer show and probably the second best gig I`ve seen that year (best was Nine Inch Nails in Circus Krone, also in Munich; killer location!). Now, with Haarp, Muse releases a live album covering their 2 shows in the London Wembley arena last year.

I really don`t want to talk about the production, which is of course great. The songs are well balanced between the new material and the obivous “greatest hits”. It`s the guitar sound that I want to discuss here a bit. 

Guitarist Matthew Bellamy is very well know for his modern, out-of-this-world playing style and sound. But what I hear on this record is probably one of the most innovative rock-guitar sound  I have heard recently! Away with all that vintage purism and 70`s addiction that is so popular these days. Haarp shows us how rock guitars shouls sound in the year 2008.

Muse live
(Matthew Belamy of Muse live | Photo by Photo Rod | Le-HibOO.com

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For the crunch tones Bellamy starts from a very solid rhythm sound. I don`t know if he still uses Diezel amps but from what I hear this could be the fact. It`s a very thick tone and since he is the only guitar in the band he fills out the whole frequenzy range. What I really like is that he uses single-coil-pickups in many songs. This gives a certain clarity to the tone and prevents it from being too muddy.

The cleans are crystal clear and very “VOX AC-30″ like. You won`t hear too many dry cleans on the record since he uses many effects such as delays, modulations and pitch-shiftings on most tracks. But the effects are very well balanced and give the basic tone enough room to breath.

Let`s stay with the effects of Bellamy. He is known for using many weird sounds through all Muse records and it seems that he tries to find a signatur effect for each album. This time he had a Kaos Pad filter built into one of his axes. You can hear the effect on several tracks, especially on the first one.

Another little box that he seems to like is the Zvex FuzzFactory. This fuzz is very hard to control and very aggressive. Although this sound might not fit into most bands it does complement the style of Muse very much. In fact, I would even call this the Muse trademark sound. And I have to admit: It was one of the reasons I got myself on of those little weird pedals.

I highly recommend this album for everyone who is interested in modern and alternative rock and for those, like me, who are fed up with all those boring “The” bands. Haarp is one of the better live albums I`ve heard and Muse is probably the best live act from the UK at this very moment. I`m really looking forward to new material from Bellamy and the other boys.

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Danelectro Cool Cat pedals

May
29
Posted by: lordriffenstein
Tags: , , , , , , , ,
Categories: Effects
Comments: 1

 

Danelectro is soon launching a new line of pedals. Check them out on their website!!

They have send out some of those pedals to beta-testers and I am one of the lucky guys to get a couple of these pedals. I got the Transparent Overdrive, Chorus and Metal. Here are some thoughts and comments:

1st impressions are important and the pedals definitely did well, I love the look and feel. Sturdy boxes that will take a beating, cool blue led (we all know it sounds better then anything else), great feel on the switch. The placing of the controls is great, no danger of hitting them when stomping on the box. Working the dual controls is not easy but it doesn’t take long to get the hang of it. Battery access couldn’t have been easier which is also a big plus.

When using the pedals, I noticed that the OD and Metal pedal have a LOT of output. This is great but also makes them a bit harder to dial in just right. I think the Metal could use a little less output as this would make the range more usefull and easier to dial in. The OD however sounds amazing to boost an already overdriven amp and any amount of boost works there.

My tests so far have been in different environments as well as with different other gear. I used them at home, for recording and in a band situation.

Although I’m more a rock/roots player, the Metal ебут дочь русские девки онлайн pedal was a pleasant surprise. The 3-band EQ works excellent, good range on the EQ. There’s obviously plenty of gain and a lot of output. After several tests I found that there’s a number of applications where this pedal is really useful. As a standalone distortion box, it excels in the gritty heavy tones, the low end is tight which can be a problem with high gain pedals. I’ll probably be using it more as a booster of even as an EQ pedal. I found it actually works great running to gain low and using the EQ to shape the tone of your amp. It was like having a seperate overdrive channel on the amp.

I had high expectations from the Chorus . I used to own the original 18v-powered Danelectro Cool Cat Chorus untill some scu… stole it. I always loved that pedal. The new Cool Cat chorus definitely delivered the same excellent tones and plenty more. The mix and eq controls are fantastic features. I find that the EQ allows me to go from a smooth sound up to the 80s spanky LA Clean tone. The range of the pedal is great, it even does a nice faux-leslie tone. As it has a mix control, I tried it in my fx loop where I run some fx units in parallel through a mixer. Sadly though, the Chorus could not handle the line level and was distorting a little.

Finally, there is the Transparent Overdrive. I grew tired of hearing the word transparent when people are talking about OD pedals so what about a box that has THAT word in it’s name??? I’m not sure but I had the impression that the gold paint job could be a nod to the Klon Centaur. Short version: this pedal is FANTASTIC. Low gain crunch tones are pretty hard to nail in a pedal and I’m definitely very picky about these tones. The dual eq controls make this pedal the winner that it is. I have tried and I haven’t found a tone in the box that I did not like or couldn’t use. I keep the gain rather low and then it gives me the best of both worlds. It sounds excellent as a standalone od into a clean amp and it really rips when used to boost an already overdriven amp. It adds punch and dynamics. I can’t praise this enough and it is already part of my main gigging rig.

Fantastic value for money, the are going to sell boatloads of these pedals. I want the Fuzz, Vibe and Distortion and build a spare board with them. I’m not sure when they will be available, I’ll keep you posted about that!

ADDED INFO: It seems from the website from a major German shop, they will be available at the end of June, the most expensive pedal is the chorus at 42 euro. :-)

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Accept it: You will never be as good as these guys!

May
29
Posted by: Bernd Hepberger
Tags: , ,
Categories: Uncategorized
Comments: 0

 

Many young musicians who start to work with proper producers have exactly the same experience after a few days in the studio. You have that great song idea and you start to record the tracks. But somehow it doesn`t sound right. The guitars are not tight enough, the drums don`t groove enough and many other possible problems come up.

Producers tend to solve this problem often by telling a band that they want to use “special-guests” on certain songs. Like having a great studio-drummer for that groovy mid-tempo tune. Of course, most bands don`t like the fact that they are not good enough to play their parts in the studio. The truth is that this happens all the time. Even my band faces this from time to time (we have the luxury of having Mel Gaynor from Simple Minds producing us).

But, even if we don`t like it we have to accept that there are studio cats who are so good that it nearly hurts to watch them. Most of them might not be big rockstars but their playing abilities are over the top and we can all learn from them a lot.

I found this video of Toy Matinee playing around in the studio and you should really watch it. What you see are 4 tremendous musicians having a good time. The easiness of their playing is just unbelievable.

(Fast forward to 7:10 to go directly to the song)

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Lounge Metal

May
29
Posted by: Bernd Hepberger
Tags: , ,
Categories: Bands
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I just found this over at HRI

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Dave Weiner shows you his riffs

May
27
Posted by: Bernd Hepberger
Tags: , ,
Categories: Players
Comments: 2

 

Let`s go on in our little “online guitar lessons” thingy! Steve Vai side-shredder Dave Weiner has a very nice YouTube channel where he shows you interesting riffs and tips every week. Dave might not be the most innovative and stylish player in the world but he`s a VERY good instructor and watching those little episodes is very entertaining and you even might learn something from it. Check it out!

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I hate cables but I like this plug!

May
25
Posted by: Bernd Hepberger
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Categories: Accessories
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Ok, I admit it: I hate cables. I really do! They`re always a mess, always dirty and they constantly get broken. XLR cables particularly annoy me because of that male-female thing. You never have the right one on the hand so you end up connecting different cables just to get the right plug at the end.

Neutrik, the manufacturer of high-class plugs from Liechtenstein, has just released a very interesting new unisex XLR plug. The idea is as simple as genius: You can switch the same plug from male to female and the other way round. Why did it take 20 years to develop this???

Here`s what Neutrik says about the new plug:

Neutrik unveils the next world novelty: the first unisex XLR cable connector. No matter if you want to connect a female or male chassis connector, ConvertCon fits all! The gender is easy selectable without any tool – converted by sliding the housing back and forth. No adapter is needed anymore.

The 3-pole XLR cable connector offers gold contacts and the termination onto the cable is as easy as with Neutrik’s well established XX Series. This new product offers as well all further benefits of the XX Series. The new ConvertCon is branded with a unique hologram, which guarantees a genuine and authentic Neutrik product.

Neutrik convertCON

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(The convertCon; Photo by Neutrik)

By the way: The great Silent Switch has been redesigned and is now being made with X-Series phone plugs. This means, the connector is smaller and of higher quality. The outside has now a rubber mantel which makes the plug more road worthy (I`ve already broken 2 Silent Plugs just by throwing them hard on the ground). 

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Robin Trower gig review

May
25
Posted by: lordriffenstein
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Categories: Reviews
Comments: 2

 

After waiting for several years, I finally got to see one of my heroes in concert on Tuesday. Trower is underrated in my opinion, although he did some really breakthrough playing in the seventies, he’s hardly ever mentioned in the same lineup with the other seventies icons (Clapton, Beck, Blackmore).

The gig in Verviers was sold out and the band got a great reception. Trower was looking good, although the man is now well in his sixties, he still has IT. His band sounds very tight, the rhythm section is great and with Davey Pattison, he has found a great vocalist. The setlist, albeit short, was a Greatest Hits in thru fashion, all his best knows songs were played and the delivery was amazing. Trower is not the flashiest player but his sense for melody is great. There’s so much soul in his playing it almost jumps of the fretboard.

Gearwise, he used the same strat for the entire gig, one that looked like his signature model from Fender. I could not get a glimpse of his pedalboard. For amps, there was a surprise. I was expecting to see some Marshalls but he was using 2 different Cornell plexi-style amp. One was on a 4×12 and seemed to be a 50 or 100 watter, the other a 18-watt copy on a 2×12. During their final encore the big one died resulting in more or less a total loss of guitar sound. That was unfortunate.

So, this was a great gig with some amazing guitar playing! Highly recommended for any fan of good ole guitar rock.

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A new rock-super-group to be unleashed?

May
24
Posted by: Bernd Hepberger
Tags: , , , ,
Categories: Uncategorized
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Ok, I`m really interested in that one:

Sammy Hagar to hit studio with guitar hero Joe Satriani and ex-Van Halen bassist
(The Canadian Press)


(Sammy Hagar, Photo by Jean-Luc David

on Flickr)

Being a total Hagar-VanHalen fan I can`t wait to see the red-rocker coming back to a decent rock formation. And Satriani in a band? I once saw him playing with Deep Purple and it wasn`t to bad either.

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